Crimson opinion writer

Prince A. Williams

Latest Content


Harvard, Release The Data

Prince A. Williams ’25, a Crimson Editorial editor, is a History concentrator in Dudley House and an organizer with the African and African American Resistance Organization (AFRO).


Lessons From The Living Wage Campaign

Examining the history of the Harvard living wage campaign provides us invaluable lessons for the labor struggles ahead of us on campus.


Remembering Aaron Bushnell: Palestine and the Legacy of Self-Immolation

The least we can do for Aaron Bushnell is to speak up. To remember him, it is imperative we join the mass movement for Palestine that is working each day on the right side of history.


Which Side Are You On?

The legacies we pursue and ultimately leave behind serve as a testament to our values, aspirations, and the very essence of our character.


When Harvard Became Black

As we reflect on our rich tradition, we have a choice: Lose our connection to it or allow it to inform our quest for Justice in the here and now.


From Vietnam to Palestine: How Harvard Suppresses Student Protest

The use of the Statement on Rights and Responsibilities to go after generations of student activists leaves little doubt as to their purpose.


In Our Thousands, In Our Millions

They tried to scare us by threatening our future employment or calling for us to get suspended, yet it only reinforced our commitment to the political and human rights of the Palestinian people.


City Upon A Hill of Skulls

We must look through the eyes of history to understand the true nature of Winthrop’s catastrophic legacy. It is a legacy built on the genocide of the Indigenous population.


Why You Should Support The Harvard Undergraduate Workers Union

We cannot isolate the Harvard Undergraduate Workers Union from Harvard or the labor movement within higher education. It is part of a national and global working-class struggle.


Hip-Hop at 50: Let’s Get Free

As hip-hop turns 50 this year, we have an important opportunity for reflection. Let’s not just listen — let’s consider this powerful style of bounce and rhythm’s deep roots in protest.