TV
‘The White Lotus’ Review: Monkey See, Monkey Do
This season’s debut feels especially sharp, wasting no time in finding its footing.
‘SNL 50’ Review: A Long But Meaningful Tribute
The crossover in generations was one of the highlights of the show, creating combinations of celebrities that seem like a fever dream.
‘American Primeval’ Review: The Untold Stories of the Frontier
By exposing the brutality and moral contradictions that shaped the frontier, the series challenges viewers to sit with uncomfortable truths.
‘Squid Game’ Season 2 Review: A Terrifying Critique of Modern Materialism
The show's social critique is more terrifying than the games themselves.
‘Severance’ Season 2 Review: Three Episodes and 300 Questions
The creators of "Severance" have been crafting an even more intricate labyrinth of secrets, lies, and Lumon founder Kier Egan-based artwork.
‘Cruel Intentions’ Review: Bold Themes, Shallow Execution
“Cruel Intentions” is well-paced and passably entertaining, albeit far from unique or groundbreaking.
‘Dancing with the Stars’ Season 33 Finale Review: Jumps, Twists, and Turns
On Nov. 26, “Dancing with the Stars” closed the curtain on its 33rd season with a three-hour long final episode.
Top 10 TV Shows of 2024
The Crimson’s Arts Board presents its television favorites of 2024, from “The Bear” to “The Secret Lives of Mormon Wives.”
Late-Night Television’s Relevance in an Era of Streaming
Late-night television remains relevant despite its competition — an impressive feat for a supposedly “outdated” format.
Artist Profile: Jenn Tran on Fame, Family, and Finding Somebody
It feels a world away from the woman who first graced TV screens this January as a contestant on “The Bachelor,” starred in her own season of “The Bachelorette.”
‘Wish List Games’ Review: Prime Video’s Newest Game Show Lacks Competition
Ultimately, it is simply not entertaining to watch a grown man play Amazon-themed Jenga for fifteen minutes, regardless of whether an electric keyboard is on the line.
‘A Man on the Inside’ Season 1 Review: Charming and Sad
“A Man on the Inside” features famous comedian and actor Ted Danson as he brings to life Charles Nieuwendyk, a funny and intelligent grandfather.
‘Arcane’ Season 2: A Masterful Reflection on Loss
Building on earlier themes of technological costs and warring sects of society, at its heart, season two is about loss and the things people do in its wake.
‘Bridgerton’ Season 3 Takes Inaccuracy Too Far
The style in the season veers quite far from that of the Regency era, taking away from the magic of a make-believe past.
‘Off With His Head’ Review: Hasan Minhaj Wants You to Like Him Again in New Comedy Special
The main problem with “Off With His Head” — which is, again, not unfunny — is that Minhaj seems to be preoccupied with asking for forgiveness — from everyone.
‘Stranger Things’ are Happening with Series Release Schedules
While TV may be mass-produced, we must remember that shows are still art, and there is merit to consuming art intentionally and meaningfully.
‘Outer Banks’ Season 4, Part 1 Review: Predictable Yet Entertaining
What “Outer Banks” does well, and has done well over the past four seasons, is its portrayal of the modern-day teen.
From Cartoons to Cannibalism: Spooky TV Shows to Watch on Halloween
Whether you’re looking for a thriller, a lighthearted paranormal comedy, or a grotesque storyline, there’s truly something here for everyone.
‘Shrinking’ Season 2 Premiere Review: Growing or Shrinking?
In the coming episodes, we may see Jimmy handle his grief head-on in a more healthy manner.
‘The Comeback’ Review: Healing Red Sox Nation’s Hearts
“The Comeback” is everything that a sports documentary needs to be — exciting, endearing, and emotional.
‘Heartstopper’ Season 3 Review: Characters Grow Up, and TV Shows Can Too
After over a year of waiting, everyone’s favorite queer comfort show is back and better than ever.
‘Abbott Elementary’ Season 4 Premiere Review: A Joyous Return
Season four’s lively return to the halls of Abbott is off to a joyous start. It’s got all the potential to be the best installment yet.
‘Disclaimer’ Review: A Dramatic Narrative of Vengeance
“Disclaimer” is about Catherine Ravenscroft (Cate Blanchett), a celebrated documentarian with a dark past.
Dancing with the Votes: The Fine Line Between Talent and Popularity
For many, “Dancing with the Stars” is undoubtedly an entertaining display, yet the lengths these stars have to go to in order to win are questionable.
‘Nobody Wants This’ is Messy, Dysfunctional, and Far Too Ambitious — and it Still Kinda Rocks
Have we seen it before? Of course we have. Will we see it again? Of course we will.