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Archives → 2020 → 12/29
- Arts Vanity: We Need to Discuss La Sagrada Família
- Creature Features: The Harvard Art Museums are Reaching out to Kids
- Crimson Jam Features Virtual Performances from Giveon and Harvard Students
- ‘Hillbilly Elegy’ Is Just Plain Bad
- ‘Mirror Sound’ Reminds Us that Isolation Can be Colorfully Loud
- “Before the coffee gets cold” Explores The Interiority of Time Travel
- ‘These Violent Delights’ is a Daring and Dazzling Debut
- “home body” Cuts Through the Numbness
- 'Boys State' Is a Rollercoaster Through Modern US Politics
- The Tragedy of the American Maniac, the Triumph of the American Institution: ‘O…
- Boston Ballet Kicks off a Digital Season with “Forsythe Elements”
- 'Wonder Woman' is a Sensational Origin Story: A Retrospective
- ‘We Keep the Dead Close’: A Dense, Twisting Harvard Murder Mystery
- ‘Tokyo Ueno Station’ is a Luminous Meditation on Loss and Time
- ‘DMZ Colony’ Challenges the Boundaries of Public and Private Mourning
- ‘Dragon Mama’ is a One-Woman Feat
- Retrospective: In ‘Leaving Las Vegas,’ Love Doesn’t Win
- Fostering Digital Intimacy: How One Chicago Theater Company is Adapting to the …
- Arts Vanity: 2020, A Year in Unclaimed Blog Pieces
- Arts Vanity: Quarantine Films About Quarantine
- Portrait of an Artist: Gabriel S. Fox-Peck '20
- The Harvard Student Composers Festival Showcases Harvard’s Student Talent
- Emerging Freshman Podcast has a new take on College Confessions
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