News
Harvard Quietly Resolves Anti-Palestinian Discrimination Complaint With Ed. Department
News
Following Dining Hall Crowds, Harvard College Won’t Say Whether It Tracked Wintersession Move-Ins
News
Harvard Outsources Program to Identify Descendants of Those Enslaved by University Affiliates, Lays Off Internal Staff
News
Harvard Medical School Cancels Class Session With Gazan Patients, Calling It One-Sided
News
Garber Privately Tells Faculty That Harvard Must Rethink Messaging After GOP Victory
With every Nas record come the inevitable reviews stating the obvious: “It’s not ‘Illmatic.’” Despite their place on the opposite side of the auditory spectrum, the new albums by experimental rock outfit Deerhoof require a similar caveat: “It’s not ‘Reveille.’”
That’s not to say that Deerhoof’s latest, “Friend Opportunity,” is anything less than finely crafted avant-pop that puts the rest of the “indie-prog” sub-sub-genre to shame. In fact, opener “The Perfect Me” finds Deerhoof refueled with their unique brand of frantic, scattershot rocking. Soon after, however, the immediacy and unpredictability vanishes, and the songs become too comfortable—at least, by Deerhoof standards.
“Friend Opportunity” is by no means a misstep. It’s an easily listenable, fun album, and the band’s signature nervy drums and bipolar blasts of sound can still be found in “Cast off Crown.” But with the expectations attached to a Deerhoof album, it’s hard not to be a little disappointed when even 12-minute sound experiment “Look Away” is nothing more than expected.
Want to keep up with breaking news? Subscribe to our email newsletter.