News
Garber Announces Advisory Committee for Harvard Law School Dean Search
News
First Harvard Prize Book in Kosovo Established by Harvard Alumni
News
Ryan Murdock ’25 Remembered as Dedicated Advocate and Caring Friend
News
Harvard Faculty Appeal Temporary Suspensions From Widener Library
News
Man Who Managed Clients for High-End Cambridge Brothel Network Pleads Guilty
With every Nas record come the inevitable reviews stating the obvious: “It’s not ‘Illmatic.’” Despite their place on the opposite side of the auditory spectrum, the new albums by experimental rock outfit Deerhoof require a similar caveat: “It’s not ‘Reveille.’”
That’s not to say that Deerhoof’s latest, “Friend Opportunity,” is anything less than finely crafted avant-pop that puts the rest of the “indie-prog” sub-sub-genre to shame. In fact, opener “The Perfect Me” finds Deerhoof refueled with their unique brand of frantic, scattershot rocking. Soon after, however, the immediacy and unpredictability vanishes, and the songs become too comfortable—at least, by Deerhoof standards.
“Friend Opportunity” is by no means a misstep. It’s an easily listenable, fun album, and the band’s signature nervy drums and bipolar blasts of sound can still be found in “Cast off Crown.” But with the expectations attached to a Deerhoof album, it’s hard not to be a little disappointed when even 12-minute sound experiment “Look Away” is nothing more than expected.
Want to keep up with breaking news? Subscribe to our email newsletter.