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Choosing courses, comping the Crimson, parties in the Yard: these are
the typical concerns of Harvard first-years during their first few
weeks in Cambridge. One member of the class of 2010, though, has a
little bit more to think about than shopping week and which
extracurricular clubs to join.
Jonathan E. Mayer ’10 is hardly a normal college freshman—even
at Harvard. Mayer was recently selected for his playwriting skills from
over 200 entries as the winner of the 2006 VSA Arts Playwright
Discovery Award, a 22-year-old national writing contest that promotes
plays focused on the role of disability in society today.
In addition to receiving a monetary award, Mayer will have the
honor of seeing his one-act drama, “Mistakes, Inc.,” produced at the
Kennedy Center’s Family Theater. Sporting a professional cast and
director (Paul-Douglas Michnewicz), “Mistakes, Inc.” debuted yesterday.
One of the most remarkable aspects of Mayer’s success is his
relative inexperience. The Orlando native started writing at an early
age. “When I was seven or eight, I liked Star Wars,” he says. “So I
wrote like a little page TV series that I’d enact with my brother and
my dad.” In high school, Mayer began collaborating with his older
brother on an as-yet-unpublished movie script “for fun” during summer
vacations. Yet Mayer had no history of participation in formal
playwriting competitions before entering the VSA Arts contest.
In fact, Mayer’s scriptwriting ability was informed not so
much by writing experience as it was by childhood experiences of
illness. “When I was about five or six, I had severe asthma attacks,”
he says. Despite his “near-fatal” condition—Mayer lost part of his lung
during that period—he looks at his childhood of hospital visits and
medical tests in a positive light, saying that it has spurred his
interest in a medical career, possibly as a pulmonologist.
His asthma also provided ample creative material for Mayer.
His experience of illness and storytelling ability collide in
“Mistakes, Inc,” which centers around a fictional company that provides
a mistake-erasing service to its customers. When a high school
journalist begins to investigate the eccentric owner of Mistakes, Inc.,
the ensuing drama questions the necessity of erasing one’s mistakes and
suggests the value of imperfection.
So how is the author of such a play dealing with life at Harvard, one of the global epicenters of Type-A perfectionism?
“Well, I guess I take it one thing at a time,” answers Mayer
with a grin. If anything, life is even more hectic for Mayer than for
his overachieving classmates. In addition to pre-med orientation
meetings and Life Sciences classes, Mayer is conducting telephone
conferences with Michnewicz to go over last-minute edits on the script,
and he will be flown down to Washington D.C. for the play’s premiere.
Despite the hubbub, Mayer seems remarkably laid-back,
expressing few qualms about the realization of his script on-stage.
“[The director is] a graduate of the Yale School of Drama, so I trust
him,” said Mayer. (In addition to directing VSA productions, Michnewicz
is also the co-founder of Theater Alliance, a small but well-renowned
Washington theater company.) “I’ve liked his suggestions, and I’m just
happy it’s being produced.”
—Staff writer Mary A. Brazelton can be reached mbrazelt@fas.harvard.edu.
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