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Elliot Forbes ’40, a much-loved Harvard music professor who inspired
generations of students and opened new doors for Beethoven research,
died in his sleep on Jan. 10 in his Memorial Drive home, family members
said. He was 88.
Forbes, a fixture on the Harvard campus for more than a
half-century, joined the Music Department in 1958 and led the Harvard
Glee Club and Radcliffe Choral Society through the 1960s. He retired
from his post as Peabody professor of music in 1984.
A native Cantabrigian, Forbes’ Harvard roots ran deep: he was
the great-grandson of Ralph Waldo Emerson, class of 1821, and his
father was an art history professor and the curator of the Fogg Art
Museum.
Forbes attended Milton Academy, and after graduating from the
College, he became a secondary school teacher. He returned to Harvard
in 1945 to earn a master’s degree in music and taught at Princeton
after graduation.
In 1958, he left New Jersey for Massachusetts to become the
third conductor of the Harvard Glee Club, a post he held until 1970.
But even after he gave up the baton, Forbes maintained a quiet presence
at Harvard music events.
“I’m like that singer who’s always doing his last concert,” he told The Crimson in 1970.
Known to students and faculty as “El,” Forbes won the adoration
of many young singers who enrolled in his courses and performed in his
concerts.
Richard E. Wilson ’63, the Glee Club’s accompanist in the
early 1960s, said that Forbes was an indefatigable source of advice and
encouragement for many students.
“When you talked with him, you got the sense that he was more
interested in you than your own parents were,” said Wilson, who is now
a music professor at Vassar.
At Forbes’ invitation, Wilson would attend Thanksgiving dinner
each year at the professor’s 182 Brattle St. home. The house was rife
with bits and pieces of Forbes family memorabilia, Wilson said,
including Emerson’s own piano.
Forbes was also always concerned about the well-being of his
students, Wilson said. In one instance, Wilson found himself busy with
schoolwork and called Forbes to get out of a Glee Club rehearsal. After
telling Forbes that he had come down with a headache, Wilson said that
Forbes rushed over in his car to deliver him some medicine.
Forbes’ central contribution to the field of Beethoven
research was his 1964 revision of “Life of Beethoven,” the
authoritative biography of Beethoven written by 19th-century Harvard
graduate Alexander Thayer.
Maynard Solomon, a distinguished Beethoven biographer, said
Forbes’ revision came at a pivotal time in Beethoven scholarship. It
was Forbes, he said, who put together the pieces of nearly a
half-century of uncoordinated and fragmented research.
“Forbes reestablished a solid basis for future research in the
field,” he said. “He touched off a very fruitful period in the study of
Beethoven’s life. And now again, 40 or 50 years have passed and we need
Elliot Forbes to do another revision.”
Forbes also enjoyed sailing and swimming, and was known to
kick up his heels and invite students over for boisterous renditions of
show tunes and jazz at his home.
He also had a sense of humor. After 414 students signed a
petition in 1975 calling for more support for musicians from the
College, he told The Crimson the petition was “music to my ears.”
In his years as the Peabody professor and after retirement,
Forbes expanded the historical account of the Music Department with the
publication of “A History of Music at Harvard to 1972” and an
additional update in 1990.
Those endeavors were central to the Music Department’s
development in a changing academic environment, said Adams University
Professor Christoph Wolff.
“He was intensely aware of the fact that there was
generational change that would influence the department of the time,”
he said.
Peabody Research Professor of Music Lewis H. Lockwood said
Forbes’ “sunny personality” brought joy to students and faculty in the
Music Department.
“He cared enormously about Harvard undergraduate education and
worked very hard on it,” Lockwood said. “[He] took very good care of
many students in many different ways.”
The University awarded Forbes an honorary doctorate of music in 2003.
Deeply religious, Forbes attended Morning Service in Appleton Chapel every single day starting in 1958.
He contracted polio in 1950, but his colleagues and students said that he remained musically unharmed by the illness.
“I think he as a conductor increasingly felt uncomfortable with
his handicap,” Wolff said. “But it didn’t discourage him from making
great music.”
He is survived by his wife Anne, 88, three daughters, four grandchildren, and a great-granddaughter.
Rev. Peter J. Gomes, one of Forbes’ longtime friends, will
preside over a memorial service at Memorial Church at 11 a.m. on
February 25.
—Staff writer Javier C. Hernandez can be reached at jhernand@fas.harvard.edu.
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