Performances Ignite Feel-Good ‘Hairspray’

While the traveling company of “Hairspray” no doubt delighted Bostonians on the quaint yet elegant Opera House stage, the touring group lacks the coveted flair and professionalism of this musical’s Broadway cast.

“Hairspray” follows painfully plump teenager Tracy Turnblad as she auditions for and stars on “The Corny Collins Show,” a Mickey Mouse Club-esque variety TV program. Tracy’s road to stardom segues into a struggle to integrate the show when she makes friends with some of her talented black classmates. The musical concludes with the integration of “The Corny Collins Show” and Tracy’s victorious popularity-contest win over arrogant arch-nemesis Amber Von Tussle.

While the musical stays afloat with comedic one-liners and sky-scraping coiffures, it’s weighed down by attempting to touch on the more serious subject of southern segregation. While Tracy’s interactions with black classmate Seaweed J. Stubs are filled with elaborate dance sequences and songs with catchy choruses (like “The Blacker the Berry, the Sweeter the Juice”), the musical plays lightly with this painfully complex period in American history. Clichéd lines such as, “We’re not so different after all. We all just want to have fun!” and “We’ll set off sparks like Rosa Parks!” jeopardize the validity of the show’s eight Tony Awards.

Also, while the casts’ energy was undeniable, certain actors “broke character” repeatedly. During Link Larkin’s (Tracy’s love interest) rendition of “It Takes Two,” Keala Settle (Tracy) appeared to be discreetly chatting with Paul McQuillan (Corny Collins) on the raised platform. Additionally, certain lines seemed to be specifically added to appeal to the politically liberal Massachusetts audience, such as “Manipulating our judicial system just to win a contest is un-American.” This line will probably not be in the show when the company travels to Texas.

However, “Hairspray” is substantially redeemed by the outstanding performances of J.P. Dougherty (Tracy’s mom Edna Turnblad—basically, a large man is made to look like “Mother Ginger”), and Susan Henley (Amber’s mom, Edna Von Tussle, a self obsessed former beauty pageant contestant). The best acting performance is delivered by Tracy’s best friend Penny Pingleton, played by Caissie Levy. Levy’s pinpoint accurate comedic timing and unfailing charisma exponentially heighten the show’s appeal. While many of the actors’ mediocre singing voices are overwhelmed by the orchestra, Motormouth Maybelle’s earth-shattering ballads are sung entrancingly by Charlotte Crossley.

Despite its flaws, “Hairspray” still proves to be wildly entertaining with its seamless set scenery and colorful costumes. The imaginative and intricate dance choreography adds to the visual extravaganza. Additionally, the ensemble cast, particularly the sex-crazed gym teacher/offbeat prison guard, is undeniably entertaining.

So, if you’re looking for a lightweight, feel-good musical with a bit of superficial depth, check out “Hairspray.”

Hairspray runs through Oct. 16.