News

Harvard Quietly Resolves Anti-Palestinian Discrimination Complaint With Ed. Department

News

Following Dining Hall Crowds, Harvard College Won’t Say Whether It Tracked Wintersession Move-Ins

News

Harvard Outsources Program to Identify Descendants of Those Enslaved by University Affiliates, Lays Off Internal Staff

News

Harvard Medical School Cancels Class Session With Gazan Patients, Calling It One-Sided

News

Garber Privately Tells Faculty That Harvard Must Rethink Messaging After GOP Victory

Album Review - Brad Mehldau

By Teri Wang

Music

Brad Mehldau

Art of the Trio 4: Back at the Vanguard

Warner Bros

"The constant comparison of this trio with the Bill Evans trio by critics has been a thorn in my side," frets the young jazz pianist Brad Mehldau, in quite possibly one of the most erudite and sincerely self-promotional set of liner notes in recent memory. The biographical hearsay and pseudo-legend that has plagued Mehldau throughout the years is certainly not the worse of fates, but let's give him a break... this is a man on a mission.

Art of the Trio 4: Back at the Vanguard

Warner Bros

In his latest, live album Art of the Trio 4: Back at the Vanguard, Mehldau wages his battle against jazz sophistry, playing everyone from Jerome Kern and Oscar Hammerstein III ("All The Things You Are") to Radiohead ("Exit Music (For A Film)", the perfect Harvard-Yard-on-a-rainy-day ballad) to Miles Davis as well as many of his own originals. Not surprisingly, on this more rockin' than swingin' installment of the piano/bass/drum combination, not so much more than a few prickles of the late Evans can be felt. But so can a bit of the Well-Tempered counterpoint and the old Ludwig van. Worth buying for those liner notes alone. A-

Want to keep up with breaking news? Subscribe to our email newsletter.

Tags