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The following poems won the annual poetry contest sponsored by the Summer School. The winners were selected from 60 entrants who submitted more than 300 poems. Judges this year were Walter Clark, Denis Donoghue, and James K. Robinson.
First Prize Parker W. Swanson
Charles River Herons
There are we who watch
The shallow edges, the long grasses, we who walk
The river edges in cool summer evenings.
Insects and small fish we call and collect
Among the city's slime, washed over our river edges,
Patiently watching polluted water washing our river's margins,
Our shallow edges, our long grasses.
God's Creatures
It was easy, under light boughs
And green of summer evenings,
The innocent grasses laughing, for you
To break and yield up from a rabbit
Its new life; in ideal garden,
Animal's mind, no evil waits
For happenings among the poppies.
Men's knowledge
That death's no incident
God's creatures never knew,
Nor fact in weedier gardens felt
That men, somehow as lesser creatures,
Seems must create
The power to hate.
Poem
That day, when quietness found me, I was walking
Through the locust-grove, inspecting spiny trunks to cut for fenceposts, the snow
Three days fallen and not melted, far from any farmhouse; the rhythm
Of bare grove without motion, and the sun hidden.
I stopped for stillness of centuries;
I found the look of the mountain there found by men times before and long ago,
The cold absence of odor from smoke overhill,
Desire like locusts' desire silently to stand.
Natural Things Shall Be Symbols
Natural things shall be symbols:
The park symbol of walkers in the park,
Four maples symbol of boys' playing in the maples,
Sunset on sumac tree all ecstatic beings.
In the little muddy ball lot
Among other children a one-eyed child is playing, the fastest runner;
The early-shook elm leaves and grassy soccer fields wait to receive all children;
Worn trees early-colored, the park's borders enhance airplanes, enhance trolleycars.
I was like dogs running through the park;
I watched the strollers; I was tag-games in the park,
I playing and watching was like scattered leaves.
Second Prize Kay C. Willke
Autumn
To halt the maple in her red moment,
The dried leaves at my feet still curled like pods,
To stay the curve of sparrows leaning south
And hold the image far behind my eyes
Is all of autumn's transient desire.
I hold a leaf like water paints run wild--
Vein to vein changing, running into gold,
The edge turned up to keep the color in.
The frost wind turns it brittle on my palm.
Never the same, my love, the running vein,
Never identical the leaf or yet the fall,
Never the moment realized as full
But that it stiffens in the sense's grasp
And fragments in the downwind of our days.
Caesar
Crimson composure on a silken couch,
Arrange the ambition massing in your mind;
The gradual thunder of your eagle spread
Will break the boundaries of the resting world--
So unsuspected is an ordered rage.
Third Prize Eugene E. Grollmess, S.J.
Tony
Tony kicks the porch railing with his
Other foot because it makes less
Noise. The right one fell off
Somewhere on Heartbreak Ridge; Tony couldn't
Remember when or how. But the doctors
All said, "Shrapnel," so Tony says
Shrapnel though he is more inclined to
Believe machine-gun.
"Ellie won't want him with a wooden
Foot," he could hear neighbors talking
Five-thousand miles from Allentown bedfast on a
Rolling hospital-ship called Mercy. But
No one guessed what Tony's feverish mind
Remembered. Ellie's letters had stopped coming
Already at Ft. Wood, as soon as
Tony learned
How to kill with his bare hands
In less than two seconds. "It's
Easy to break a man's neck if
You know how," he wrote. Ellie
Scribbled, "You'll never forget," and sealed the
Envelope. Tony framed the letter, kept writing.
"It's better than cigarettes," he wrote
Once in
Korea. Home with the wooden limb the
Neighbors know stands between him and
Ellie, Tony tells them, "Maybe I'll sprout
Another foot." Then, as if to
Stimulate growth, even at night, he stomps . . .
Stomps . . . stomps his porch like a
Frantic old pirate trying to forget how
To steal.
Randy Mead
There was a train of dust up the
Lane behind the tractor that
He was belting home like
A racehorse down the stretch. He cut the
Engine before the tractor was
All the way into the
Barn, hopped into the oil-soaked dust, and ran
Towards the house taking his
Shirt off on the way.
He simply said "No" to his mother's call
Of "Supper?" and hurried into
A tub of hot water
She had waiting for him. Pa was already
Upstairs snoring, so there would
Be no trouble getting the
Car--there is always question of that when
Pa is awake, because sometimes
Randy comes home unbelievably drunk.
Fourth Prize Susan B. Schwartz
On Painting of Ancient China
Noble scholar beneath a willow
And journey of the emperor through a mountain
In the dusk of summer
The emperor and his microscopic train
His ruinous mystique of gorgeous silk
Of trappings set with ivory
Are lost in the ascending crags
Haunted by blue and grey and ashen yellow
Ocean of clouds.
An old man traverses his fragile bridge of bamboo
Placid above the twisting rapids
Twisting river charged down from the arms of a noble mountain!
The old man slowly ascends
Flaying his humble donkey before him.
The magpies dart their quicksilvered tongues
At a sleepy old hare
And wild geese shiver in the moonlight.
The emperor's children dream in a garden
The fisherman rises to watch his sea
Glitter in the first sun
A fisherman breaks with the small prow of his boat
The last ice of winter.
The quiet leaves of autumn rustle about the heart.
Noble scholar beneath a willow.
Honorable Mention John Paden
On Our Last Remeeting
Your front tire was flat as a nail-head,
so you walked
your "All-Steel" bike between us
as we talked
ourselves onto the left bank of the Charles,
threading the homeward traffic as it flashed
subliminal advertisements of motion
of the dented ego that it passed.
Your spokes spun chromium pipedreams in the sun.
My head was spinning. Four months before,
I barged into your parents' store
of privateered Heppelwhite and pewter,
a free-wheeling pirate in a hoard of plunder,
and commandeered your mother when I hit
the never-before-guessed age of the wallpaper.
Even if I tried, I couldn't miss
the cracks on the tennis court:
your poise was shattered and you gawked
after the perverse ball--
starkly aboriginal in your cloroxed suit.
You did a spring-rite on your father's lawn
(it wasn't a lawn at all, but a hybrid
of a pool table and a football field).
At dinner, new-born from the shower in evening dress,
I hungered for you across a tablepiece of peonies,
a sun-baked lobster stretching my pegged claws.
In a teal sheathe, you were the proudest
of your father's prize peonies.
Cryptic, idle, he'd quadrupled your mother's ancestral fortune,
investing it all in IBM. Now
he had three gardeners to help him tend his beauties.
I gathered all my powers
to periphrase my ignorance of flowers.
Our conversation was unreal
Tulips turned to plastic on my tongue.
When you took off for Paris
the propellors seemed to go backwards.
Like an unleashed top I foundered
in drawn-out entropy, unstable, grounded.
Paris changed you more than you changed Paris.
You came home the portrait of a lady,
dropping names of galleries, trite
mementoes, in your train,
forcing me to see you in the new light
of your mother, beaming forth delight.
As we walk by the river
my mind balks.
I have nothing ready, I see no way back.
A scull, buoyant as flotsam, lunges
forward in rhythmic spasms.
At each stroke, Time, the relentless oarsmen, plunges
two different oars into a different stream.
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