POLICY PLUS

In the program of its latest production issued by the Dramatic Club, there seems to be quite a stir about something called "Our Policy". In view of the numerous doubts which have arisen over the contents, not to say the existence, of such a formula, documentary evidence of this nature will unquestionably be appreciated. But if adherence to this policy entails, as the most recent efforts of the Club would seem to indicate, the selection of plays merely on the basis of novelty in the most limited sense of the word, then appreciation may perhaps be tempered with regret.

If a play which has had ample time to come to the attention of the theatrical world has never been produced in this country, such neglect must be due to one of two reasons; either it is a good play but not considered as having sufficient box-office attraction, or it just isn't worth producing. Plays of the former class, plays which are good but do not have that "it" which is essential to a Broadway appearance, constitute the logical field of choice for the Dramatic Club. But in default of such, a "Liliom" would not be amiss.

By avoiding musical comedy or the re-hashing of box-office successes, the Dramatic Club escapes the stigma of "amateur theatrical" a term which so effectively damps with faint praise many similar groups throughout the country. And with the experimental production of plays which have been brushed aside by the big business element of the modern Theatre, the Dramatic Club can, as it has in the past, render invaluable service to the cause of American Drama. But "policy for policy's sake" is a motto which has never been in keeping with high standards.