CRIMSON PLAYGOER

Cast in a Victorian mold, Louis N. Parker's play of a Victorian statesman, whose vision raised both his country and himself above the throttling influences of the period, was enthusiastically received Monday evening at the Copley. The play, so the program states, is a romantic comedy. And, indeed, this description is in some respects more accurate than calling it a historical comedy would be, for although the interest centers about an actual historical figure in the act of accomplishing an undertaking of historic importance, the material has been so treated that the result frequently resembles more the conventional melodrama or detective play than such historical dramas as "Abraham Lincoln or "Pasteur".

Mr. Clive, as Disraeli, though not al- ways reaching the heights made possible by the part, at all times played more than adequately. Meeting exceedingly well the exacting requirements of the role of the prime minister he succeeded, an accomplishment always difficult, in creating the illusion of a famous historical character. Here was the shrewd humor, the compelling personality, and subtile cleverness of the diplomatist, Disraeli.

In the other parts Mr. Clive met with varying support. Most notable was Miss Willard's interpretation of Mrs. Travers, the spy in the pay of Russia, and in many ways, hers was the most finished performance of any in the company. It may be said, however, that the charm and force of her acting would be enhanced rather than decreased, were she more economical in her gestures.

Harold West as Viscount Deeford the young nobleman, who, because of his complete artlessness, is selected by Disraeli to make the purchase of the controlling shares in the Suez Canal, played with appreciation and effectiveness, as did Miss Standing as Lady Reversey, his fiancee.

The interest in the play itself, the successful handling of the leading roles, and the acclamation of Monday's audience all seem to indicate that in Disraeli the Jewett Company will have a run of more than the usual week