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MRS. MARRYWELL, widow of Cambridge.
MISS MAUD MARRYWELL.
HAROLD C. U. SHARP, aristocratic New-Yorker.
MISS PASSITON, spinster, sister of MRS. M.
ISAIAH PORE, a tutor.
SCENE I. The house of MRS. MARRYWELL. MISS PASSITON, knitting. MRS. MARRYWELL.
MISS PASSITON. Now, really, Jane, I think it passing strange
That you have not a little savoir-faire,
In wedding off dear Maud to some rich youth.
Why, there is Mrs. Dale, the tutor's wife,
Who married Susan - what an ugly thing! -
To Patterson of Baltimore - they say
As rich as Croesus, - and there's Helen Jeer,
Who captivated quite, a millionnaire,
And - pshaw! to think that Maud, who's truly sweet,
Should lose such glorious chances, - 't is too bad.
MRS. MARRYWELL. Yes, sister, you are right, I fear, but I
Have done my best, and am about convinced
That that young Junior Harold C. U. Sharp
Is smitten with my Maud's not trifling charms,
And something sure will have to come of it.
Why, at th' Assembly he did dance with her
At least three times, and as I watched his face
I saw the sign of passion blushing out, -
I saw, and was enchanted.
MISS PASSITON sings in a shrill voice.
All that blushes is not love,
I alas! have known it.
Many a man I've tried to catch,
Tho' I should not own it.
When a girl in Cambridge town,
I was fond of dancing,
And I tried to press my suit
With my artful glancing.
One by one the classes fled,
Forty-nine and fifty;
Still I somehow did n't wed,
Though at flirting thrifty.
Seniors pass, - and Juniors come, -
Soph. and Freshmen follow;
Though they dance, they will not wed, -
Cambridge hopes are hollow!
No one asked me for my hand,
None took me to the minister.
And here I am at fifty-three,
A real old Cambridge spinster.
MRS. M. Do not say "old," good sister, - still your voice
Reminds me of the days forever sped.
Maud, by the way, has learned to sing as well
As any girl in all this town. When Sharp comes next
I'll have her play upon her new guitar
And warble out her latest pretty song.
But soft, she comes! - So fair, indeed, I ween
This Sharp must be a monster not to love.
Enter MAUD.
MAUD. Good day, dear Aunty, how's your health to-day?
MISS PASSITON. So-so.
MAUD. I heard you singing as I sat
And read the last few passages in Hume
On "Miracles," - a most stupendous work,
Although he argues from mistaken grounds.
MRS. MARRYWELL (peevishly). Tush, Maud, forever harping on that string!
Think you that you were made to waste your time,
And all my efforts in your own behalf
To see you wedded to some worthy man,
Rich and blue-blooded, as our line
Has always sought in marriage? For we are
Descendants of the cabin-boy who cleaned
The Mayflower's berths, and so can justly claim
The aristocracy for our acquaintances.
You have a chance - you know it Maud too well -
To captivate young Sharp, the Harvard Swell,
And it will be ungracious if you dash
My hopes to earth in that direction.
Take your guitar, and sing to us the song
You last did learn.
MAUD. Here's one I wrote myself.
(Sings.)
There are girls who are wrapt up in parties,
There are girls who go wild at a ball;
But I now can assure you my heart is
Not fluttered by such things at all.
For I can speak
In Attic Greek, -
And Pindar I read off at sight, -
Philosophy, too,
I do not eschew,
And I really think Hartmann is right.
I believe in the rights of the ladies,
I've quite a delight for the bar,
I've followed Ulysses to Hades,
And can tell you the name of each star.
I some time intend
To polish off Zend,
And paint in my summer vacation.
I think that the men
Are tyrants, and then
I fully believe in cremation.
MISS PASSITON. Niece, I am shocked that one so well brought up
Should waste her time in such ungentle ways.
Do you forget the gratitude you owe
To your poor mother? She now weeps to hear
Such sentiments so unbecoming you.
The world is all before you, and you show
An ignorance of how one may succeed.
Think of New York, of carriages and maids, -
Think of the place you easily may win, -
And then let shame paint blushes on your cheeks.
(The dinner-bell rings. Exeunt.)
SCENE II. SHARP'S room in Beck Hall.
SHARP, seated at the piano, sings.
If you would spend an hour or two
Amid continual mirth,
Go see the Cambridge folks at home, -
The most select on earth.
You'll find mammas with daughters fair
As any you have met,
With grim professors for papas, -
A most delightful set.
There are at least a dozen "bees,"
Whist-clubs and salons new,
At which you'll see all Cambridge belles,
From twelve to forty-two.
If you are rich the mothers will
Get out their rod and line,
And quickly fish for sons-in-law,
And bait their hooklets fine.
If you are poor they'll be polite,
And smother you with wit;
They'll tell you all the bits of news
That round the city flit.
The girls know all about the "men,"
And all the college ways, -
Their brothers have been through the mill,
And acted in the plays.
So if you'd really like to smile
An hour, come with me;
I've got good introductions,
And this society we'll see.
Ha! ha! I ought to know it well, methinks,
Since I've been forced to call on half a score
Of persons who were once my father's friends.
'T is no great pleasure, but it must be done.
And they are queer, - there's no denying it.
They think themselves the centre of the world
When they are merely Cambridge citizens,
And Cambridge is at best a college town.
To-night's the Assembly; I will go and chaff
Miss Marrywell, whose mother, I have seen,
Would catch me in her meshes, - but she can't.
Now to the Charles to watch the fellows row.
[Exit.
SCENE III. Papanti's Hall. The Assembly. Dancing going on. MRS. MARRYWELL and daughter seated aside.
MRS. M. Now, Maud, remember, if young Sharp should ask
To waltz with you, be charming as you can.
Talk pretty nonsense, do not be too shy;
None but the brave deserve a millionnaire.
SHARP approaches. MRS. MARRYWELL turns away to give free scope.
SHARP. Pray will you dance?
MAUD. Thank you, I'd rather talk
A little ere we mingle in the waltz.
Sir, have you seen the latest "Deutsche Rundschau"?
There is an essay on "Infinity" -
SHARP. No, I'm a perfect dunce at languages,
And scarcely know the word for "love" in French.
MAUD. How strange! "amour, aimer, aimons."
SHARP. Oh, don't decline it! - Do you see Miss Funk
Sitting three seats beyond us on the right?
She has not danced at all - I pity her.
(He hums very low.)
The wall-flower goes in party clothes
To every college ball;
She sits alone, just like a stone,
And does not dance at all.
MAUD. What doggerel! you should improve your style
By reading Goethe - I forgot you said
You knew no German - what a dreadful thing!
You are so dull, I don't know what to say.
Ah! here comes that bright young Mister Pore.
(PORE approaches.)
I'm glad indeed to see him.
(To PORE.) You, I'm sure
Are better read - n'est-ce-pas, Monsieur?
PORE. I teach the Freshmen German, good Miss Maud.
SHARP (aside). And you conditioned me three years ago.
Miss Marrywell, excuse me if I go -
And, Mrs. M., when next you strive o catch
An heir, be sure your daughter likes the match,
Or else with learning deep she him will bore,
And show her fondness for "bright Tutor Pore."
I wish you joy, and hope in time that he
Will e'en an Ass. Professor get to be.
(Curtain falls.)
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